Access Virus Ti Vst Cracks
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Access Virus Ti Vst Cracks Download
TEAM ELiTE 07 10 2003 3.30 MB
Our award-winning Waveshaping Synthesizer. z3ta+ is our top-of-the line instrument, which extends the capabilities of our virtual analog synthesizers line by introducing our exclusive Bandlimited Waveshaping technology. As a complete instrument, z3ta+ is oriented to the professional musician and sound programmer looking for uncompromised sound quality and features.
Feature Set
Oscillators
- – 32-bit wavetable synthesis with three rendering modes (DRAFT, NQ, HQ).
- – Full Stereo processing.
- – 6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM possible in all oscillators with any waveform.
- – 64 voice polyphony (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded).
- – Independent Waveshaper for each oscillator with 14 wave transformations:
WARP, TWIST, MULTIPOINT, WAVE, SYMMETRY, DRIVE, WAVE, OFFSET, SHRINK, SELFSYNC, BIT REDUCTION, HIPASS and LOWPASS filters, DC-OFFSET and WINDOW, all fully bandlimited and real-time capable.
- – Full Legato mode when monophonic mode is selected.
- – Circular inter-oscillator modulation.
- – Ring modulation, Hard Sync, PM and FM modes for any oscillator.
- – MULTI mode for any oscillator, which turns any oscillator in 8 oscillators (4 stereo oscillators) with adjustable detune.
- – Octave (-5 to +5 oct), Transpose (-12 to +12 semi), Detune
- (-50 to +50 cent) and Phase (0 to 360 deg) controls for each oscillator.
- – Key sync and Free Running, Normal or Inverted, with or without keyboard tracking modes for any oscillator.
- – Main Transpose, Main Tune controls.
- – Oscillator random tune control with per-oscillator generator.
- – Adjustable Punch control (drum machine-like DC burst).
- – Individual settings for Pitch Bend Up and Down (-12 to +12 semi).
- – 4 Pitch Bend modes: Normal, Up, Down and Hold notes.
- – 4 monophonic/polyphonic Portamento modes: Normal and Fingered, Fixed and Variable time.
- – Two mixing busses for oscillators outputs.
- – Individual Level/Modulation amount control.
Filters
- – 2 Stereo Filters (4 filters total), 10 Filter Modes: 12dB/oct
- LPF/HPF/BPF/BRF, 24dB/oct LPF/HPF/BPF/BRF, 36dB/oct LPF, formant. Filters can be set in parallel or serial.
- – Individual Cutoff, Resonance, Resonance Boost, Pan, Level and Limiter controls for each filter.
- – Link mode.
Low Frequency Oscillators
- – 6 Morphing capable LFOs, 4 global, 2 local (per-voice), all host Tempo Sync capable.
- – One-shot LFO mode.
- – 60 waveforms, 10 user waveforms.
- – Individual Offset, Delay, Fade In, Morph Time, Speed, Tempo Sync and Key Sync mode controls.
- – 10 LFO combination modes: MORPH, ADD, IADD, SUB, ISUB, MUL, MIN, MAX, HALF1, HALF2.
Envelope Generators
- – Eight 6-stage envelope generators, 1 bipolar, 6 unipolar, 1 main Amp eg, all with adjustable positive or negative amount.
- – Individual Delay, Attack Time, Slope Time, Slope Level, Decay Time, Sustain Level, Release Time controls.
- – Individual Attack, Slope, Decay and Release shape controls with 3 shapes (linear, slow, fast).
Arpeggiator
- – Algorithmic arpeggiator with all basic patterns.
- – MIDI arpeggiator with 100 built-in patterns.
- – Included converter to create arpeggio patterns from Standard MIDI files.
Modulation Matrix
- – 16 row modulation matrix with Source, Range (min/max), Curve, Control and Destination options.
- – 24 modulation sources, including all LFOs, Egs, Attack and Release velocity, Unipolar and Bipolar keyboard tracking, internal functions and polyphony.
- – Min and Max modulation adjustable.
- – 12 modulation curves, including Linear, Slow, Fast with normal and reverse polarity, and four pitch curves.
- – Over 200 modulation controls, including all Egs, unipolar and bipolar Pitch Bend, channel and polyphonic Aftertouch, Modulation Wheel, Breath, all MIDI CCs, velocity, unipolar and bipolar keyboard tracking, audio input and X-Y pad.
- – Over 60 destinations, including Pitch, PW, Levels, Routing, Pan, LFO and EG parameters, Functions, and many FX parameters.
Effects Section
Drive
- – 6 Drive modes, including Soft/Hard drive, Valve Amp, Smart Shaper and Heavy Metal (local plus global drive stage), individually selectable for both filters.
- – Tone, Drive and output Level controls.
- – Progressive Stereo Decimator (lo-fi).
Modulation
- – 9 Mode Modulation section, full stereo operation (except when mono modes are selected)
- – Modulation speed sync’able to host Tempo.
- – 3 modulation waveforms.
- – Broad range of Chorus, Flanger and Phaser effects available, including mono/stereo chorus, flanger and phaser, 6-voice chorus, Quad phaser.
- – Delay, Speed, modulation Depth, Feedback, 2-band Modulation
- Equalizer with selectable modes and Level controls.
Compressor
- – 3 Mode dedicated compressor, with Threshold, Ratio, Gain and output Level controls.
- – Delay Section
- – 3 individual stereo delay lines, with Time (L & R), Delay, Feedback and Level controls.
- – Multi mode 3-band EQ inserted in the feedback loop, with 6 EQ modes.
- – Tempo Sync capable.
Delays
- – Three independant delay lines which sync to host tempo.
- – Stereo, Ping, Cross and LRC delay modes.
- – Three-band stereo equalizer with six eq modes for each delay line.
- – Individual time settings for L and R channels, feedback and level controls.
Reverb
- – Full stereo reverb.
- – 4 Reverb modes, including Small Room, Mid Hall, Big Hall and Plate.
- – Size, Damp, Lo, Hi and Wet/Dry controls.
Eq
- – Full stereo eq.
- – 7 band equalizer with 11 equalizer modes (Wide 1/2/3, Half 1/2/3, Low, Lo/Mid, Mid, Mid/Hi, Hi).
- – Stereo Cabinet-Amp simulator, with 19 different preset simulations.
Main Effects
- – Effect bypass.
- – Stereo Main Limiter.
Graphic User Interface
- – 2 page main window, 3 deployable windows (Shaper, X-Y Pad, Spectral Analyzer), several subsections display.
- – Graphics by bitplant!
- – Inertial sliders, menu-driven multi lists, fast page selectors.
- – Copy/Paste functions for Shapers/Oscillators/Filters/LFOs/EGs/Delays.
- – Sound Preview ribbon at bottom, variable velocity (y position), MIDI transmit to host (VST).
- – Polyphony indicator.
- – Master Volume and Limiter controls, output VU meter.
- – Full mouse wheel support.
- – Focus-capable controls, full PC-Keyboard support.
X-Y Pad
- – Deployable X-Y pad with random mode via right-click, assignable as SOURCE
- and CONTROL in the modulation matrix.
- – Joystick support, MIDI Learn.
Programs / Banks
- – Bank and Program selector, Program up/down, Program Name display/editor.
- – 6 banks (A-F), 768 program capacity, ships with 768 top-quality factory presets. – Saves and Loads standard .fxb and .fxp files, and MIDI bank files.
- – Drag and drop support.
- – Compressed bank file format, to save space in song/bank files.
- – All settings saved in the song.
- – Copy/Paste/Paste Special/Swap/Initialize program utilities.
- – Auto-load of Default file, utility to save Default File.
Microtuning
- – Native support of Scala (.scl) microtuning definition files.
- – 200 microtuning files included, over 2900 freely available.
MIDI Learn
- – All controls are MIDI Learnable, with adjustable min/max/reverse status via right-click.
- – Multiple MIDI CC#’s are possible to be assigned to same control, multiple
- controls can be attached to one MIDI CC#.
ASIO microHost
- – Ultralight ASIO host for live performance and programming (90k)
- – Supports 44.1, 48, 88.2 and 96 kHz samplerates.
- – Virtual keyboard with PitchBend/Modulation/Breath/Aftertouch/Program Change/Transpose controls using PC keyboard.
- – Simultaneous use of multiple MIDI ports.
- – Saves 16-bit and 32-bit WAV files direct-to-disk.
Cakewalk – Access Z3ta+ – Virus TI VSTi v1.2
http://beelink.in/14329/Cakewalk-Access-Z3ta–Virus-TI-VSTi-v1.2-WiN-RETAiL-ELiTE.html
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The Access Virus TI v2 is the second edition of this Desktop Total Integration Synthesizer, and it features 25% more calculating power and a completely redesigned housing. Like all members of The Virus TI platform, the Virus TI Desktop v2 synthesizer is the sublime fusion of a 12-year triathlon in sound research, distillation of user input, and the.. Click To Read More About This Product
Order Now! Expected to Ship 09-05-2019- Ships to Canada
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Access Virus Synth
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The Access Virus TI v2 is the second edition of this Desktop Total Integration Synthesizer, and it features 25% more calculating power and a completely redesigned housing. Like all members of The Virus TI platform, the Virus TI Desktop v2 synthesizer is the sublime fusion of a 12-year triathlon in sound research, distillation of user input, and the simple desire to create an exceptional music making instrument. Conceived as a virtual analog synthesizer, the Virus TI v2 grew into a multi-synthesis workstation which seamlessly integrates into your production environment using Access' unique Total Integration plug-in technology.
Sound Design
This second generation Virus TI platform features a wealth of inspiring oscillator models such as virtual analogue, hypersaw, wavetable, and graintable oscillators, along with several filter models and a new-to-the-line Character control for emulating the vibe of old analog gear. A ring shifter, several FM types, and a tape delay add the warm lo-fi sound featured so often in music today. The effects section delivers multiple, simultaneous effects including reverb and delay per part, ensuring your patches sound exactly the same in single and multi mode.
Total Integration
The concept of totally integrating a synthesizer, which essentially means streaming audio from the Virus TI into a plug-in hosted by your digital audio workstation, is certain to make some positive waves. Total Integration is Access' proprietary technology, which seamlessly links any Virus TI model and a computer to create a unified system consisting of a powerful hardware synth and a virtual instrument plug-in, which not only controls the Virus TI but also receives audio from it, in order to allow post-processing right inside your computer. This way you get the best of both worlds. Your Virus TI will calculate all the voices and effects and therefore makes the CPU of your computer available for other tasks. Since it is driven by the Virus Control plug-in, the timing (unlike normal MIDI and USB-MIDI timing) will be sample-accurate, and all sound data will be saved within the song or project. Virus Control also offers sophisticated editing capabilities, along with an easy-to-use librarian page to keep track of all your Virus TI patches. The Virus TI's analog input and outputs can also double as an audio interface, and the MIDI sockets can double as a MIDI interface.
As much as a craftsman depends on the quality of his tools in order to achieve exceptional results, you can rely on the Virus to impress your audience. That's because for the success of artists today, a stunning sonic signature is as important as the unforgettable melody, and the Virus TI line provides both.
Features
- Enclosure:
- Sleek, charcoal-gray finish
- Red and white LEDs
- White display
- Wood rail on front
- I/O panel can be rotated for convenient rack-mounting
- Oscillators:
- 3 main oscillators and one sub oscillator per voice
- A main oscillator can comprise of various oscillator types including the classic virtual analog oscillators (saw, variable pulse, sine, triangle, 62 spectral waves with several FM modes) and hypersaw (a multi saw-tooth oscillator with up to 9 stacked oscillators, 9 sub-oscillators and sync oscillator at the same time)
- Wavetable oscillators with 100 multi-index wavetables, feature variable resolution and optional pulse-width modulation
- Graintable oscillators apply granular synthesis techniques for independent control of pitch and formants to warp a waveform beyond recognition
- Formant oscillators sound like running a signal through a massive, modulatable filter bank with hundreds of resonant bands being morphed by the wavetable index
- Filters:
- Two fully independent filters (lowpass, highpass, bandpass, bandstop) with an optional saturation module located in between both filter blocks
- The saturation module can add one of several distortions and lo-fi effects or an additional low/high-pass filter
- Optional self-resonating MoogT cascade filter simulation with circuit overload and 1-4 poles
- Modulation:
- Two-dimensional modulation matrix with six slots (1 source and 3 modulation targets each)
- Every feasible parameter can be modulated in realtime
- 3 LFOs with additional hard-wired destinations along with one user-definable slot
- 2 lightning-fast, multi-stage envelopes (ADSTR) - LFOs can be used as ramp generators as well
- Effects:
- The FX section has independent delay and reverb per patch (even in multi mode), along with multiple distortion/lo-fi algorithms, phaser, chorus/flanger, character control, ring modulator/shifter, and EQ, plus a global vocoder
- There is no difference between single and multi modes”patches sound exactly the same
- Arpeggiator:
- Each patch contains it's own arpeggiator pattern feat. 32 programmable steps (length and velocity can be adjusted per step) along with a global control for swing/shuffle timing and one for note lengths
- Nearly every parameter including the pattern itself, the amount of octaves, and many more, can be controlled using the modulation matrix
- Surround sound output:
- Every part can be panned dynamically between two stereo outputs for quadraphonic effects
- Hardware controls:
- 32 knobs, 43 buttons, 73 LEDs
- Polyphony:
- Between 25 to 110 voices, depending on the complexity of the patch
- Estimates are based on single mode performance results may vary in multi mode
- Multi Mode:
- Multi programs can have fully-independent embedded singles, without the links to single banks required by most synths providing freedom from breaking other programs
- Memory:
- 1024 RAM and 3328 ROM sounds, 16 embedded multi patches along with 112 conventional multi slots, 16 parts in multi mode
- Remote Templates:
- Turn the Virus into a MIDI remote as the sound engine will still work independently
- 32 user-programmable templates to reassign most panel knobs controlling control 3rd party plug-ins and MIDI synthesizers
- Smooth parameter changes:
- Adaptive control-smoothing provides parameter changes with no zippering artifacts
- With knob quantize, a clock ratio is selected and parameter changes are updated at specified intervals only
- The result is sample-and-hold parameter movements, evocative of step sequencer sounds
- Atomizer:
- The unique DJ style audio slicer turns the Virus TI into an powerful realtime FX for DJ applications
- Virus Control is an VST/AU/RTAS compatible plug-in
- Total Integration is certified for the following hosts: Apple Logic 8, Steinberg Cubase 4, Ableton Live 7, Digidesign Pro Tools 8, Cakewalk Sonar 7, ImageLine FL Studio 8
- I/O:
- 6 balanced outputs (@ +4dB), backed by 192kHz/24-bit D/A converters with soft-limiting
- Two inputs with 24-bit A/D
- Dedicated headphone out
- MIDI in, out, and thru
- S/PDIF digital audio (44.1/48kHz) inputs & outputs
- USB is used for MIDI and audio transmission (adding 3 additional stereo audio outputs) and works at 12Mb/s
One year parts and labor warranty.
Guitar Center's Pro Coverage
Pro Coverage gives you added warranty protection for your gear. Stepping in where the manufacturer's 'normal wear and tear' coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever failsClick To Read More About This Product.
- Accidental damage protection
- Expedited repair or replacement
- Free shipping (for returns or repairs)
- 100% coverage for commercial use
- Extended price protection
- No lemon guarantee
- Free transfer of coverage to a new owner
- Repair costs covered for up to five years from date of purchase
- Repair authorization-toll-free by phone or via the web
Our product catalog varies by country due to manufacturerrestrictions. If you change the Ship-To country, some orall of the items in your cart may not ship to thenew destination.
You can easily download the project launcher from our website and can burn CD/ DVD and Blu-ray discs. Windows 7 professional 32 bit iso. This best CD/DVD burning software is compatible with Windows XP/Vista/7/8/10 (both 32-Bit and 64-Bit).
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